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вЂњNo human invention will happen without open source software, thatвЂ™s our belief, and thatвЂ™s why we believe itвЂ™s worth preserving open source software for a thousand years, in the same way mankind has preserved the Roman Forum, the Taj Mahal, the Bodleian Library. вЂњOur lives depend on open source software,вЂќ says Thomas Dohmke, vice president for strategic programs at GitHub, an unsurprising evangelist for open source.

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The question is: What do we put there? Keeping code cool ItвЂ™s the perfect place to keep something safe for a long time.

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ItвЂ™s no surprise that the Arctic World Archive is just a few hundred metres from the equally ambitious Svalbard Global Seed Vault, which holds almost a million different species of seed in an effort to safeguard against the extinction of plants in the wild. Tactically unappealing in the event of a war, seismologically stable and, at around 115m above sea level, safe from climate change and rising seawater, there may not be anywhere on Earth more suitable for long-term storage. The climate isnвЂ™t the only thing in LongyearbyenвЂ™s favour.

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SheвЂ™s quoting tests done by Norwegian research firm Norner, whose accelerated testing of piqlFilm found a longevity of 750 years at 21ЛљC and humidity of 50%, which means a reel of film stored today would be reaching its theoretical expiry date in autumn 2770. вЂњOur film will last 750 years at least,вЂќ claims Alfheim. Once the door of the mine slams shut, the question becomes one of longevity. Once a film is written, itвЂ™s packed safely into canisters and transported to Longyearbyen, where itвЂ™s stored in Mine Number 3, an abandoned coal mine repurposed for ultra-long-term data archival. Each reel of film is 950m long and holds 120GB of data. That means using an ultra-clear emulsion, as noise accidentally recorded on the film could damage the data it holds. вЂњTo have that much data stored, has to have a very, very clear base,вЂќ says Alfheim. вЂњItвЂ™s called nanodensity.вЂќДonвЂ™t scoff: That single 35mm frame of film packs in 8.8 million data points, translating to 2MB of data per frame. вЂњThis frame is a very high density QR code which holds a fair amount of information,вЂќ says Patricia Alfheim, PiqlвЂ™s communication manager. ThomsenвЂ™s piqlFilm business card has all the usual information youвЂ™d expect, but itвЂ™s the light-grey frame at the bottom thatвЂ™s the companyвЂ™s prize. Her business card is made of the same stuff that could one day offer insights into our ancient civilisation: piqlFilm is the same size as the 35mm film used in motion picture cameras and comes in reels almost a kilometre long. Thomsen is the deputy managing director of Norwegian company Piql (you get the joke), whose technology is behind the Arctic World Archive.

On a Zoom call to Oslo, Katrine Loen Thomsen holds her business card up to her webcam.

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As humanity grows curious about its ancestors, or, as seems more likely in 2020, emerges blinking from its own preservative bunker to restart civilisation, the Arctic World Archive may be the best place to begin building an authoritative history of humans вЂ“ or the perfect place to figure out how to start again. Inside an abandoned mine with an underground vault, a unique, long-term backup effort that so far includes artefacts as diverse as the United Nations Convention on the Rights of the Child, sample data acquired by the European Space AgencyвЂ™s first Earth remote sensing satellite, a digitised copy of Edvard MunchвЂ™s The Scream and more than 20TB of data from open source repository GitHub. ItвЂ™s also a place that, in a thousand years, might provide archaeologists with the most accurate clues as to what 21st century society was like.

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